Wednesday, June 17, 2009

A GEM OF A BENGALI MOVIE - DUI PRITHIBI (Two Worlds)

Sometime released in the year 1980, roughly two years after I was born Dui Prithibi meaning Two Worlds is a gem of a Bengali movie; I discovered recently. My mom hadn’t watched it and neither had she heard about its popularity. The storyline of the movie is contemporary and projects an image of the world we are living in today. The theme of the movie revolves around two main characters Mrinal Dutta (Uttam Kumar) and Kunal Dutta (Victor Banerjee).

Mrinal Dutta being the elder son of the family is the sole earning member of the family. He works as a reporter and strives hard to make the twain meet. On his shoulder; rest the responsibilities of a marriageable sister and aged parents. He spends most of his time in his office. His sister is a gifted singer and is in love with her music teacher Shukanta (Ranjit Mallick). Every thing seems to be picture perfect in Mrinal’s world. But every thing changes when his younger brother Kunal Dutta walks in. Victor Banerjee’s English man like looks ignites the screen and he stands staring quietly staring at his elder brother who is all engrossed in his work. He questions, “Chinte Parcho?” (Do you recognise me?). Mrinal slowly raises his head and takes some time to gather his memories together. Excitedly he embraces this young man saying, “Tuie Kunal Naa!” (Aren’t you Kunal?) Mrinal takes Kunal to his home located in a crammed locality. Suited Kunal is frustrated and irritated to walk through the by lanes and exclaims, “What place is this that you stay at?” Mrinal replies, “Limited resources can only ensure the bare minimum.” Answering the knock on the door their younger sister Toony opens the door. She too gets excited to see Kunal come back home. Mrinal’s parents too are visually appalled to see their estranged son come back to them. In a flashback scene, the reason of Kunal abandoning the family justifies his long time absence. While every one is seated, Kunal pulls out a cigarette excusing of unable to survive without it. Mrinal doesn’t like this and he easily traces the signs of sudden change in his family. His father doesn’t object Kunal’s smoking and the mother & sister duo are seen ignoring Mrinal completely.

The other Kunal takes his parents out for shopping. He also goes house hunting. Mrinal keeps waiting with an empty stomach for his family members to come back. He is surprised to see how phenomenally Kunal has taken over the reins of the family. Kunal announces that they will soon be shifting to a new home. Mrinal agrees to move along but reluctantly. He is still clueless about Kunal’s flamboyant lifestyle. Kunal objects to everything and anything that is related to Mrinal. When Toony watches her music teacher struggling to board a bus, Kunal warns her to ignore him as he thinks Shukanta is a misfit for the Dutta family. To separate Toony from Shukanata, Kunal hurriedly gets her enrolled in a modern music school. Time starts changing at a faster pace. Kunal goes on making money and is on a spending spree. On the other hand, Mrinal’s status of a sprawling investigative journalist gets stronger. He is invited by the Chief Minister of Bengal himself to head an undercover team to bust corruption and misdeeds of the chosen few. Slowly Mrinal also begins to get wind of Kunal’s sources of unaccountable wealth. The problem gets severe when Kunal brings home a woman and declares her his newly wedded wife. She is coincidentally the daughter of a famous freedom fighter. Mrinal therefore sympathises with her and goes to meet his estranged lover. On reaching her home, he informs her brother about Kunal’s high handedness and the arrival of his new wife. On hearing her father’s name, Mrinal’s friend jumps out of his chair to narrate a tale of his bravery. Mrinal comes back smiling and is pleased to appreciate his brother’s choice. As time passes, Kunal starts getting richer and rude. He starts abusing his wife. At times, he even compels her to accompany him to parties and to entertain his guests. His wife resists such advances saying that she is not a sex toy to be preyed upon. Kunal outrageously tells her that she was about to be sold out by her brothers but he saved her by immediately marrying her. Kunal starts coming home drunk every night. His abuses go from bad to worse. One night he again comes home drunk and physically assaults a servant. Mrinal gets very angry and asks his parents to keep a watch on their younger son.

Things start getting out of control. Seeing his elder brother’s probing nature, Kunal hatches a plan to send Mrinal off to a foreign locale as a guest journalist. His plan goes out well enough with Mrinal’s editor boss agreeing to send him off to America. In the meanwhile, Kunal’s wife discovers a grave secret of him being a smuggler. Police authorities begin their investigations and also procure a consignment of rare gems at a local post office that Kunal frequents. The police start hunting for Kunal and his whereabouts. Mrinal too discovers how his brother is in trouble. He declines the offer of an international tour, which is secretly sponsored by Kunal. Their sister Toony who deceives Shukanta for her modern music school teacher runs into trouble when she is fooled and impregnated. This is where the movie scores. It shows how the two different worlds of these brothers collide. Mrinal doesn’t forgive Kunal when he accuses him of having an affair with his wife. Mrinal walks out of Kunal’s home and settles down in his old home. The police finally zero in on Kunal and chase him like wild dogs. Finding no immediate rescue, Kunal ends up at Mrinal’s home begging for mercy. Mrinal in a very composed way declines Kunal’s requests. He asks him to leave his home and surrender. Kunal runs out of the home and is held at gunpoint by two senior policemen. Investigations also reveal Kunal’s ownership of unaccountable gold and rare gems.

Finally it is Mrinal who emerges the winner. Disheartened by their younger son’s plight, his parents return back to him. Shukanta, his sister’s estranged lover agrees to take responsibility of her impregnated situation. In spite of Kunal’s wife’s request of bailing him out, Mrinal holds his fort and silently witnesses his brother being sentenced to four years of rigorous imprisonment. He is heartbroken but he tells Kunal’s wife that this is payback time. He also assures her not to lose hope.

Dui Prithibi explores the finer nuances of Bengali cinema. Uttam Kumar towers over the others with his astounding performance. Every time he has appeared on the silver screen he has captured it with his unparalleled performance. Victor Banerjee’s anti hero image is top notch and he does justice to his role. Supriya as Uttam Kumar’s love of the past is a silent treat and downplays herself to the core. The movie belongs to the main protagonists Mrinal and Kunal. It depicts the triumph of good over evil and chronicles the stories of lives that are preciously two dimensional. The movie has no subtitles so Non Bengalis might have to rely on a trusted translator. The movie in itself is the finest to come my way. It has the potential for a prequel and a sequel to it. Somewhere down the line I felt that this tale of two brothers has so many things common with the ongoing corporate rivalry between the Ambani brothers. The only difference being, it is reel life inspired by real life.
MOVIE SOURCE: www.seventymm.com
- vociferous

Monday, June 15, 2009

I, APOLOGISE

Writing is not an easy task. Ever since I’ve been doing it, there has been no dearth of uneasiness and inconvenience. And very recently like speed dating, I have accustomed myself to speed blogging. I make it a point to write about every thing. From movies to madness, from robustness to romance, from tantrums to thrillers and from food to future. The only thing that I’ve experienced and regret is me getting prone to committing spelling errors. I agree it’s a wonderful thing to blog but not in a way that invites criticism. I am not a perfect writer and neither am I an imperfect one. But unknowingly I am finding myself stuck between perfections and imperfections. So whoever and every one had been reading my blogs and not taking kindly to the errors committed by me, I, apologise. From now on, I would take every little care to see to it that my blogs are free of errors and worth reading. Till then happy thinking and keep blogging.

- vociferous

Wednesday, June 10, 2009

DUDS AND DIAMONDS FROM HOLLYWOOD

I was under a very false impression that bad movies are only being mad in India. But I was totally wronged by the Angelina Jolie and Morgan Freeman starrer Wanted. I cursed every moment of watching it. Even Hollywood makes duds! Movies are supposed to entertain us not irritate us. This is one of those which not only irritates but makes you think why it was made at the first place. First and foremost it lacks a well defined storyline. The action sequences seemed to have drawn loads of inspiration from movies made in southern India. Even they are tolerable. But Wanted not only wastes your time but compels you to bang your head. Angelina Jolie looks very bad. She doesn’t act just goes bang, bang and bang. Morgan Freeman, one of the finest actors Hollywood has ever produced does very less of talking and acts zero. I didn’t understand a bit what Wanted actually attempted at. An experience I wish not to repeat.

If Wanted broke my heart, two other movies simply strengthened it. Gran Torino and Taken transported me to a world of the mightiest.

Gran Torino is about Clint Eastwood the good old man. A retired army man he finds solace in leading a lonely life after his wife’s death. Both of his sons abandon him while he is literally stalked by the priest of the local church. The town that he is put up at is high on racial tensions cropping up at the drop of a hut. Adding on to Clint’s irritation are his Asian neighbours. He doesn’t like them. He swears and keeps spitting. As Clint continues living his lonely life one night he is wakened by sounds coming out of his garage. This is the plan where his Gran Torino is parked. He runs into darkness with a loaded gun to only find his neighbour trying to cause harm to it. After scaring the hell out of his neighbour Clint returns back to his home with lot of anger filled within. From here begins the story that Eastwood carries brilliantly on his frail looking strong shoulders. Emoting painstakingly and speaking stylishly in a voice that is harsh Clint Eastwood performs phenomenally. It’s fantastic to see how Clint connects with his neighbours and is amused by their warmth. The troublemakers have a tough time matching up to his wit and courage. He gives the assaulters a run for their life. The climax of the movie was a shocker. You wish it would have been otherwise. But Clint Eastwood is a master story teller. His movies end differently. Remember the scene from Million Dollar Baby! He keeps it up with the climax of Gran Torino. I am yet to see his Letters from Iwo Jima and Changeling. Hats off to a precious diamond created in Hollywood.

The second movie is Taken. Thrilling from the beginning till the end. It has a very simple story line. This revolves around an ex spy. Liam Neeson gives out a power packed performance. He had also acted in the highly acclaimed Schindler’s List directed by Steven Spielberg. Liam is divorced from his lovely wife who is now married to a billionaire. Liam and his wife have a daughter who is turning seventeen. As a father he reaches to meet his daughter with a surprise gift on her birthday at a plush villa. The place is flooded with gifts. Liam does meet his daughter though he is warned by his wife not to do so. He presents her with the gift but she simply ignores it when she sees her stepfather walks in with a black stallion horse. She jumps in excitement. Liam stands there watching. Ignored he leaves. In his free time he helps his friends escort celebrities as a security executive. He also saves the life of a prominent singer. She thanks him with a promise to be of help whenever needed. Life continues as usual for Liam.

One fine day his daughter who just turned seventeen expresses her desire to visit Paris. Liam doesn’t take kindly to this wish of hers. Criticised by his now divorced wife, he doesn’t break his daughter’s heart and grants her the permission. But he does warn her to call him up every night from the mobile phone he gifts her. At the airport while she is about to board the flight, Liam realises that his daughter has big plans. The markings made on a travel map leave him tad worried. He argues with his wife but is left frowning. His daughter escorted by her friend reaches Paris. After landing they are impressed by a guy who helps them with a taxi and even travels along to their place of stay. The girls are very happy. The friend of Liam’s daughter also expresses her desire to sleep with the same guy who escorts them. In the mean time, Liam keeps calling on his daughter’s cell phone. Finally when she answers Liam tells her how concerned he is for her. While she is speaking to him over the phone she sees her friend being brutally kidnapped. After 5 minutes she too is kidnapped. From this point the movie paces and Liam surprises you in every scene. He reaches Paris and the way he tracks down the fugitives is fantabulous. The movie also exposes the ugly side of Paris. Single females are shown being kidnapped, drugged and pushed to prostitution. The way he tracks his daughter and turns the tables on his enemy is something thrillers are truly made of. Taken makes you sit on edge, bite your nails and get excited. It ends strongly and you wish there had been more.

Though Wanted was a dud, Gran Torino and Taken are pure diamonds produced from Hollywood!

- vociferous